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Dan Brown is once again taking on the big questions.…
Kazuo Ishiguro wins the Nobel Prize For Literature The British…
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Winner of the International Man Booker Prize 2017.’ The setting is a comedy club in a small Israeli town. An audience that has come expecting an evening of amusement instead sees a comedian falling apart on stage; an act of disintegration, a man crumbling, as a matter of choice, before their eyes. They could get up and leave or boo and whistle and drive him from the stage, if they were not so drawn to glimpse his personal hell. Dovaleh G, a veteran stand-up comic – charming, erratic, repellent – exposes a wound he has been living with for years: a fateful and gruesome choice he had to make between the two people who were dearest to him. A Horse Walks into a Bar is a shocking and breath-taking read. Betrayals between lovers, the treachery of friends, guilt demanding redress. Flaying alive both himself and the people watching him, Dovaleh G provokes both revulsion and empathy from an audience that doesn’t know whether to laugh or cry – and all this in the presence of a former childhood friend who is trying to understand why he’s been summoned to this performance.
Life is a brief, waking dream-but who casts the spell?
Two striking women, Kamala and Shaly, helm an unusual household, fuelled by their intense, tempestuous romance in a rapidly changing Bangalore. Downstairs, Kamala’s sons take care of each other in their own way-the twins are bound together by an early accident that paralysed Shiva, making Aadi his brother’s caretaker. Beautiful Shaly is the object of more than one person’s affections-and she, too, has a complicated past.
When Kamala’s mother dies, she returns to Kerala-to an ancestral house of horrors which lies next to the cremation grounds in Cochin’s outlying reaches: a place which, nevertheless, is home. However, nothing can prepare her for the devastation that ensues in this lyrical, hallucinatory trip of a story.
Utterly gripping and powerfully unsettling, Sangeetha Srinivasan’s phenomenal debut subverts received ideas about society, individuality and motherhood. Acid unravels the secrets that lurk beneath the surface of our lives, and marks the entry of a searing new voice in the Indian literary landscape.
“To go around the world…in such a short time and with the means of transport currently available, was not only impossible, it was madness”
One ill-fated evening at the Reform Club, Phileas Fogg rashly bets his companions £20,000 that he can travel around the entire globe in just eighty days – and he is determined not to lose. Breaking the well-establised routine of his daily life, the reserved Englishman immediately sets off for Dover, accompanied by his hot-blooded French manservant Passepartout. Travelling by train, steamship, sailing boat, sledge and even elephant, they must overcome storms, kidnappings, natural disasters, Sioux attacks and the dogged Inspector Fix of Scotland Yard – who believes that Fogg has robbed the Bank of England – to win the extraordinary wager. Around the World in Eighty Days gripped audiences on its publication and remains hugely popular, combining exploration, adventure and a thrilling race against time.
Michael Glencross’s lively translation is accompanied by an introduction by Brian Aldiss, which places Jules Verne’s work in its literary and historical context. There is also a detailed chronology, notes and further reading.
A high-speed cops and robbers adventure with heart and soul with a father and son taking on the villainous Mr Big – and winning!
This riches-to-rags story will have you on the edge of your seat and howling with laughter!
Bad Dad is a fast and furious, heart-warming story of a father and son on an adventure – and a thrilling mission to break an innocent man into prison!
Everyone knows a couple like Jack and Grace: he has looks and wealth, she has charm and elegance. You’d like to get to know Grace better. But it’s difficult, because you realize Jack and Grace are never apart. Some might call this true love.
Picture this: a dinner party at their perfect home, the conversation and wine flowing. They appear to be in their element while entertaining. And Grace’s friends are eager to reciprocate with lunch the following week. Grace wants to go, but knows she never will. Her friends call—so why doesn’t Grace ever answer the phone? And how can she cook such elaborate meals but remain so slim?
And why are there bars on one of the bedroom windows?
The perfect marriage? Or the perfect lie?
The “tell-all” memoir takes on new meaning in the work of poet William Kloefkorn, whose accounts of the moments and movements of life touch on everything that matters, the prosaic and the profound, the extraordinary in the everyday, and the familiar in the new and strange. The fourth and final installment in Kloefkorn’s reflections, Breathing in the Fullness of Time departs from the elements ruling the other volumes—water, fire, and earth—and floats its insights and observations, its memories and anecdotes on the now wild, now whispering element of air.
In this final volume, this consummate storyteller uses his characteristically droll sense of humor to recapture time that, once experienced, is never really lost. His remembrances include a foray into college football, a stint in the Marines, a drift in a twelve-foot johnboat on the Loup River, learning to get a hog’s attention, marriage at last to a childhood sweetheart, a sojourn in California, and a return to Nebraska to teach. The moments, large and small, sad and funny and fine, multiply to become a moving picture of life caught in the act of passing by.
Still considered one of the best books ever written about bullfighting, “Death in the Afternoon” is an impassioned look at the sport by one of its true aficionados. It reflects Hemingway’s conviction that bullfighting was more than mere sport and reveals a rich source of inspiration for his art. The unrivaled drama of bullfighting, with its rigorous combination of athleticism and artistry, and its requisite display of grace under pressure, ignited Hemingway’s imagination. Here he describes and explains the technical aspects of this dangerous ritual and “the emotional and spiritual intensity and pure classic beauty that can be produced by a man, an animal, and a piece of scarlet serge draped on a stick.” Seen through his eyes, bullfighting becomes a richly choreographed ballet, with performers who range from awkward amateurs to masters of great elegance and cunning.
A fascinating look at the history and grandeur of bullfighting, “Death in the Afternoon” is also a deeper contemplation of the nature of cowardice and bravery, sport and tragedy, and is enlivened throughout by Hemingway’s sharp commentary on life and literature.
Sister of the Light, Sister of the Dark. The Slave Queen, Death’s Mistress.Nicci has gone by many names and faced many challenges. But that’s in the past. Now, on the far horizons of a world forged anew, she must heed the witch woman’s words:and the sorceress must save the world’.As Nicci journeys into uncharted lands, she’ll face her greatest test yet. She’s saved the world before, but she’s never had to do it on her own.
Praise for Jeff Kinney:
‘The world has gone crazy for Jeff Kinney’s Diary of a Wimpy Kid’ – Sun
‘Kinney is right up there with J K Rowling as one of the bestselling children’s authors on the planet’ – Independent
‘The most hotly anticipated children’s book of the year is here – Diary of a Wimpy Kid’ – Big Issue
‘Hilarious’ – Telegraph.
Did I Mention I Love You? is first in the sensational DIMILY trilogy, which follows sixteen-year-old Eden Munro as she travels from Portland to begrudgingly spend the summer with her father in the beachfront city of Santa Monica, California. Eden’s parents are divorced and have gone their separate ways, and now her father has a brand new family. For Eden, this means she’s about to meet three new step-brothers. The eldest of the three is Tyler Bruce, a troubled teenager with a short temper and a huge ego. Complete polar opposites, Eden quickly finds herself thrust into a world full of new experiences as Tyler’s group of friends take her under their wing. But the one thing she just can’t understand is Tyler, and the more she presses to figure out the truth about him, the more she finds herself falling for the one person she shouldn’t – her step-brother.
The pressure’s really piling up on Greg Heffley. His mom thinks video games are turning his brain to mush, so she wants her son to put down the controller and explore his creative side’.
As if that’s not scary enough, Halloween’s just around the corner and the frights are coming at Greg from every angle.
When Greg discovers a bag of gummy worms, it sparks an idea. Can he get his mom off his back by making a movie…and will he become rich and famous in the process? Or will doubling down on this plan just double Greg’s troubles?
A rickshaw driver dreams of being a Bombay movie star; Indian diplomats, who as childhood friends hatched Star Trek fantasies, must boldly go into a hidden universe of conspiracy and violence; and Hamlet’s jester is caught up in murderous intrigues. In Rushdie’s hybrid world, an Indian guru can be a redheaded Welshman, while Christopher Columbus is an immigrant, dreaming of Western glory. Rushdie allows himself, like his characters, to be pulled now in one direction, then in another. Yet he remains a writer who insists on our cultural complexity; who, rising beyond ideology, refuses to choose between East and West and embraces the world.
Eleven Minutes is the story of Maria, a young girl from a Brazilian village, whose first innocent brushes with love leave her heartbroken. At a tender age, she becomes convinced that she will never find true love, instead believing that “love is a terrible thing that will make you suffer. . . .” A chance meeting in Rio takes her to Geneva, where she dreams of finding fame and fortune.
Maria’s despairing view of love is put to the test when she meets a handsome young painter. In this odyssey of self-discovery, Maria has to choose between pursuing a path of darkness—sexual pleasure for its own sake—or risking everything to find her own “inner light” and the possibility of sacred sex, sex in the context of love.
End Game is the fifth book in the thrilling Will Robie series by the international number one bestselling author David Baldacci.
Will Robie, highly trained assassin and the US government’s most indispensable asset, is called to London.
An imminent terrorist attack threatens the Underground and with the US next in line, Robie is the perfect choice to stop it before it begins.
He knows he has one chance to succeed. One chance to save London. One chance to make it safely home to find out what has happened to fellow agent Jessica Reel following their last deadly mission together.
But Robie is about to learn that even if he succeeds, the worst is yet to come.
The game has started. Now only he can end it . . .
A wonderful, beautifully told tale from America’s favourite novelist, Fairytale is a captivating example of the truths that will always withstand even the darkest storms and a reminder that sometimes fairytales do come true, and good prevails over evil in the end.
‘A mixture of science fiction and folktale, past and future, primitive and present-day . . . Thunderous and touching.’
After drinking an elixir that bestows immortality upon him, a young Indian named Flapping Eagle spends the next seven hundred years sailing the seas with the blessing — and ultimately the burden — of living forever. Eventually, weary of the sameness of life, he journeys to the mountainous Calf Island to regain his mortality. There he meets other immortals obsessed with their own stasis and sets out to scale the island’s peak, from which the mysterious and corrosive Grimus Effect emits. Through a series of thrilling quests and encounters, Flapping Eagle comes face-to-face with the island’s creator and unwinds the mysteries of his own humanity. Salman Rushdie’s celebrated debut novel remains as powerful and as haunting as when it was first published more than thirty years ago.
‘A book to be read twice . . . [Grimus] is literate, it is fun, it is meaningful, and perhaps most important, it pushes the boundaries of the form outward.’
Haroun and the Sea of Stories is an allegory for several problems existing in society today, especially in the Indian subcontinent. It looks at these problems from the viewpoint of the young protagonist Haroun. Rushdie dedicated this book to his son, from whom he was separated for some time. Many elements of the story deal with the problems of censorship: an issue particularly pertinent to Rushdie because of the fatwa against him backed by Ayatollah Khomeini. The book is highly allusive and puns in multiple languages. Many of the major character’s names allude to some aspect of speech or silence.
Opp.Govt Mental Health Centre,
Calicut - 673016